Such obscuration may be obtained either by black-out construction or by termination of the illumination.ģ. Such preparations shall be made as will completely obscure all Federal and non-Federal buildings occupied by the Federal Government during an air raid for any period of time from visibility by reason of internal or external illumination. It is a tricky problem to find the particular calibration in timing that would be appropriate to stem the acceleration in risk premiums created by falling incomes without prematurely aborting the decline in the inflation-generated risk premiums.Ģ. price integrity coordinator: sales clerkġ. standard operational procedure basic rules and directions 7. mental activity at the margins: insanityģ. negative patient care outcome: the patient diedĢ. It is impossible to see reality except by looking through the eyes of the party.”Ĭlick on the image below to watch the video clip on C-Span.1. Whatever the party holds to be truth is truth. Not in the individual mind – which can make mistakes, and in any case soon perishes – only in the mind of the party which is collective and immortal. Reality exists in the human mind, nowhere else. His essay begins with a quote from Orwell’s 1984: It’s well worth listening to the entire speech, which you can do HERE.īelow is a short excerpt where Lutz reads an essay he wrote on Tiananmen Square. His speech is 60-mins in length and truly fascinating. In 1996 Lutz published a sequel: ‘ The New Doublespeak: Why No One Knows What Anyone’s Saying Any More.’ In it he argued that there is a communications crisis in the US.ĭuring a book tour he read several examples of how misleading language affects Americans’ lives and explained how citizens can act against such misrepresentations. (Related: Doublespeak – The Power of Language) Double speek full#You can watch the full 60-minute interview and read the transcript HERE.Ĭ-SPAN Interview with William Lutz, 20 December 1989 (7 mins) When asked what his favourite doublespeak word or phrase was, Lutz replied: “The Department of Defence which, until 1947, was the Department of War.”īelow is a clip from Lutz’s interview with Brian Lamb. He stated that doublespeak is most prevalent in government, followed closely by the advertising industry. This was called ‘a therapeutic misadventure’,” Lutz said. Double speek series#Three weeks ago in Los Angeles, according to the Los Angeles Times, in a series of incidents that the pathologist called, ‘Incredible stupidity and incompetence, the surgeons killed the patient,’ it included slitting the patient’s throat during surgery. The hospital called this, ‘a therapeutic misadventure’. “In 1982, during a caesarean operation, the anaesthetist turned the wrong knob and killed the mother and child. “And, if you run across language that’s defective, take it back, just like you take back the defective toaster, and say, ‘I want an exchange on this one, give me language that works, give me clear language’.”Ĭhapter two of Doublespeak is titled ‘therapeutic misadventures, the economically non-affluent and deep-chilled chickens, the double-speak of everyday life, everyday living’. You are just as much, as much a consumer of language as you are a consumer of goods, and so you have to be a critical consumer of language, just as you’re a critical shopper. “You know, we talk about the consumer movement where you have to be aware of the product that you buy when you go and purchase something, you have to be aware of the language that’s used in our society. “I’ve produced what I like to think of as handbook for survival in the 20 th century, in the, age of the media, so that people will become critical consumers of language. He pointed out that his mission is not to eradicate doublespeak, but to eliminate doublespeak from the discourse of important issues where it is most dangerous. During an interview with C-SPAN, hosted by Brian Lamb, Lutz said doublespeak is consciously used to manipulate. In 1989 William Lutz, linguist and professor of English at Rutgers University, published his book, ‘ Doublespeak: The Use of Language to Deceive You’. Join the conversation in our Telegram Discussion Group here Follow The Exposé’s Official Channel on Telegram here
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I remove the 'build' folder, and move all the files - php templates, css stylesheets, etc. I then turn off "this project uses a build folder" in 'Build Process' settings. I can make edits to my templates in the 'source' folder, and immediately preview the results in the outputted corresponding file in the 'build' folder. If I use the 'source' + 'build' folder approach, everything works fine, and I can use all of the JIT compiler features without a glitch. I have a Tailwind-based CodeKit project, where I use the JIT compiler. But this approach doesn't seems to work with Tailwind projects. This is not a problem when using "traditional" frameworks - like Bootstrap, Foundation or UIKit: I can just set CodeKit not to use a build folder, and then specify the output directory for all files in the project's settings, carefully, manually. So, using a 'build' folder in CodeKit is never an option. css stylesheets, have to be placed in very specific folders in order for me to not cause bugs or give unnecessary extra work to the Backend Developer. These templates/partials are often added to the CMS as a 'plugin', and along with their compiled. #Codekit tailwind codeI'm usually editing html code and editing css classes directly inside a. These projects require all my frontend 'theme'/'template' files, as well as my css/js files, to be placed in very specific folders. I'm working as a Frontend Developer on full-stack dynamic websites that use php-based CMSs. Without using 'source' and 'build' folders, however, CodeKit seems unable to recognise which classes are actually used in my php templates, and fails to compile Tailwind's CSS files appropriately. #Codekit tailwind softwareThe Laravel framework is open-sourced software licensed under the MIT license.I'm trying to use Tailwind and CodeKit with a PHP-based CMS site, and can't use a 'build' folder. If you discover a security vulnerability within Laravel, please send an e-mail to Taylor Otwell via All security vulnerabilities will be promptly addressed. In order to ensure that the Laravel community is welcoming to all, please review and abide by the Code of Conduct. Thank you for considering contributing to the Laravel framework! The contribution guide can be found in the Laravel documentation. If you are interested in becoming a sponsor, please visit the Laravel Patreon page. We would like to extend our thanks to the following sponsors for funding Laravel development. Boost your skills by digging into our comprehensive video library. Laracasts contains over 1500 video tutorials on a range of topics including Laravel, modern PHP, unit testing, and JavaScript. If you don't feel like reading, Laracasts can help. Laravel has the most extensive and thorough documentation and video tutorial library of all modern web application frameworks, making it a breeze to get started with the framework. Laravel is accessible, powerful, and provides tools required for large, robust applications.
You will have less saturation when the ”relaxed” mode is enabled. The saturation is stronger with higher gain reduction. The DC1A can add a nice saturation effect to the audio. This way you will not be fooled by differences in loudness between the unprocessed and the processed audio. Use the output knob to match the compressed level to the uncompressed. It has a fixed threshold and the more you gain the input the more compression you will get. Its attack and release timings are program dependant although you have the choice between a faster response (which is the default mode) and a slower response with the ”relaxed” mode engaged. The DC1A is resembling an OPTO compressor. #MAC COMPRESSOR FREE DOWNLOAD PLUS#If you are a beginner this could be a good compressor to learn by since it is very easy to tweak plus you are forced to use your ears and not rely on numbers. The DC1A compressor from Klanghelm is a simple yet powerfull free VST compressor plugin. It comes with the Melda Free Bundle that includes quite a few other nice vst plugins. MCompressor also has a sidechain and a highpass and lowpass filter which makes it extraordinarily flexible. #MAC COMPRESSOR FREE DOWNLOAD FULL#You have full control over attack, release, ratio and threshold and you can target either the audio peaks or the average loudness (RMS) of the incoming signal – or set up the MCompressor to target the audio signal somewhere in between these two. It has a good graphic user interface (GUI) that gives you good visual feedback about what you are doing both in terms of how you are compressing (soft knee, linear, or hard knee) and how much gain reduction you are employing. MCompressor is a very nice and very versatile vst compressor plugin. MCompressor by Melda Production (Windows and Mac) Nasty VCS by Variety of Sound (channelstrip with opto style compressor) (Windows) Thrillseeker VBL by Variety of Sound (Vari-Mu compressor – this is primarily a saturation tool but it also has a simple compressor that works very well on bass) (Windows) LA Thrillseeker by Variety of Sound (Windows)ĭensity mkiii by Variety of Sound (high quality buss and mastering compressor) (Windows) You can read more about bit bridging in our article About Bit Bridging In Klangheim Studio we use Cubase in combination with jBridge and that works like a charm without any hickups. However, by the use of a bit bridge and / or a plugin-adaptor (like jBridge, 32 lives, DDMF Bridgewize or Blue Cat’s Patchwork) you should be able to use these vst plugins in almost any DAW. #MAC COMPRESSOR FREE DOWNLOAD PC#The vst plugins mentioned may be working either on PC or Mac or on both and a few are 32-bit only. If you scroll down further you will find descriptions of the listed compressor vst plugins. Below you will find a list of free compressors with links to the respective download sites. A UN official from France earnestly referred to the pleasure of somehow getting “all of the Beatles” in one place at one time. So I spent a very long day and evening with the guys - certainly the biggest musical stars in the world at that moment - starting with a press conference at the United Nations in New York (their first public appearance in two years, backing a UNICEF project). It wouldn’t be like interviewing Noam Chomsky or anything. I knew the group’s recordings and life story since the 1960s, so I figured I could carry off the interviews without a lot of trouble. #Bee geeboard movieLike seemingly everyone else in America, I’d seen the Travolta movie but, unlike many others, hated disco (yes, I’d made the pilgrimage to Studio 54, once), even though the Bee Gees’ version of it was not half-bad. They were riding the crest of the mega-selling Saturday Night Live soundtrack - perhaps the biggest-selling album ever - and hit singles “Stayin’ Alive,” “Night Fever,” and “How Deep Is Your Love.” Soon I would return to Crawdaddy full-time but for now, in June 1978, they needed someone to write a quickie cover story on the hottest group of the moment - maybe of the decade - The Bee Gees. With a surprising number of people (myself included) watching and enjoying the new Bee Gees documentary airing this month over HBO, I thought I would depart from my usual obsessions to take a lighter look back at my encounter with the group - at the height of their “Stayin’ Alive” popularity back in 1978….Īfter serving as the number two editor at the legendary rock/culture magazine Crawdaddy starting in early 1971, I had left in the summer of 1977 to work at another New York-based publication(which failed), and then turned to freelancing for my old home, among other outlets. There’s a version that sees UBI as the spark for a generation of entrepreneurs, and another that simply attempts to stave off a revolt of the precarious masses.īasic income is therefore often posited as a post-ideological solution suited to a new era of politics: the odd confluence of interest from the left and right tends to be read as a sign that political positions should be eschewed in favor of rational compromise. Another version aspires to egalitarian universalism and challenges the legitimacy of privately accumulated wealth. One version functions as a kind of noblesse oblige-a handout to the unfortunates being made obsolete by robots smarter and more efficient than they are. There are, in short, many different reasons for supporting UBI-and just as many versions of what it could be. supported basic income-and the new generation of advocates is similarly eclectic, running the gamut from Trump-supporting venture capitalists like Thiel to “fully automated luxury communists” like Peter Frase. It’s often noted that Milton Friedman as well as Martin Luther King, Jr. Most notably, the seed accelerator Y Combinator is starting a basic income pilot program in Oakland this year, proposing to pay a hundred families between $1,000 and $2,000 each month, “no strings attached.” But the most prominent supporters of UBI in the United States today are technocapitalists like Peter Thiel and Marc Andreessen, and with the exception of Alaska, basic income experiments are being implemented not by the state but the private sector. Since 1982, the fund has paid every Alaskan resident anywhere from a few hundred to $2,000 annually out of its oil revenues. The United States is home to the closest thing to a basic income program existing in the world today: the Alaska Permanent Fund. Neither amount is enough to live on, really, but they aren’t negligible either. Starting this year, about 250 people in Utrecht will receive €960 each month (about $1,030) from the government, while a Finnish experiment will pay between five and ten thousand people €550 (about $600) monthly. Growing public discussion has been accompanied by a small but significant number of experimental programs, mostly in Europe. In France, Benoît Hamon recently won the Socialist Party presidential nomination on a platform that included a basic income. Jeremy Corbyn said last September that the Labour Party would investigate the prospects for basic income in the UK, and experiments are on the agenda in Scotland, backed by the left-wing SNP. UBI was recently endorsed by the Movement for Black Lives as part of a reparations program, while Canada’s Leap Manifesto calls for consideration of UBI on the grounds of environmental sustainability. But it has seen renewed interest since the 2008 financial crash: as millions of people lost their jobs and wondered whether they’d find new ones, some also began to wonder whether they needed to work at all. UBI, where everyone gets a regular check from the government regardless of what else they’re doing or how they spend it, is an old idea. But these days, universal basic income-a policy often glossed as “paying people for being alive”-is gaining popularity both in the United States and abroad. Is his faith misguided? (Center for American Progress)įive years ago, dropping the abbreviation UBI in conversation would be more likely to earn you a puzzled glance than a knowing nod. Alyssa Battistoni ▪ Spring 2017įormer president of SEIU Andy Stern presents universal basic income as part of a twenty-first-century vision for the labor movement. But UBI’s supporters on the left should proceed with caution. Long dismissed as utopian, proposals for a universal basic income are now gaining traction on both the right and the left. He also details Rolling Stone's 2014 story by a freelance writer about a gang assault at a fraternity at the University of Virginia and the discovery that the alleged victim made it all up. Wenner mentions his past drug use while recalling famous popular icons who died from overdoses such as close friend and comedian John Belushi. But his narrative could leave the reader feeling like some interesting details have been left out. In his own memoir, Wenner does touch on the personal, including his life as a closeted man during a long marriage to Jane, who remained an important part of his life after he started a relationship with partner Matt Nye. Wenner later said Hagan's “Sticky Fingers: The Life and Times of Jann Wenner and Rolling Stone Magazine," was “deeply flawed and tawdry” as it detailed his complicated sexual life, drug use and feuds with musicians and others. The memoir allows Wenner to tell his story in his own words after being disappointed with the 2017 biography he commissioned journalist Joe Hagan to write for the magazine's 50th anniversary. He helped launch the career of photographer Annie Leibovitz. Thompson, serializing his book “Fear and Loathing in Las Vegas” in the magazine, then assigning him to cover Richard Nixon's reelection campaign. Wenner also befriended Gonzo journalist Hunter S. A young Pete Townshend told him about his early idea for a rock opera about a deaf, dumb and blind boy that went on to become The Who's “Tommy.” Gleason, Wenner was soon befriending top rock stars like Mick Jagger, when they were both still in their 20s. While still in college, he plunged into the rock scene, traveling to London where he saw performances by a 17-year-old Steve Winwood, as well as the Yardbirds featuring a young Eric Clapton.Īfter launching Rolling Stone with music critic Ralph J. Wenner started writing about rock music for The Daily Californian student newspaper at the University of California, Berkeley. Among the major figures profiled on its pages over the years were musicians John Lennon, Jerry Garcia, Bob Dylan and Bono, and politicians Bill Clinton, John Kerry and Barack Obama. The magazine soon became popular for its 20,000-word profiles and essays and bold photography and graphics. Rolling Stone went on to chronicle not only the music of those times, but also politics and cultural change, from Woodstock and Vietnam to Altamont and Watergate. Now 76, Wenner was just in his 20s when he helped found the magazine in 1967. As the founder, co-editor and publisher of Rolling Stone magazine, Wenner had an unusual back stage pass to the rock ‘n’ roll revolution as he chronicled how the Baby Boomer generation reshaped postwar America.
Besides using a solid color in the background, you can have patterns and gradients. PICTURE COLLAGE MAKER WITH EFFECTS FULLYou can customize the full image size, adjust spacing, margin, and roundness of the collage. Some of the frames are limited to the pro version but you get a good collection in the free version as well. Moreover, you can even customize the frame size using the border of individual pictures. Interestingly, if you change the frame, the photos adjust automatically. Select the frame of your choice and start adding photos. You will get various types of frames present in the right sidebar. In the Collage mode, you can attach up to 11 photos in a single frame. The first one goes by the name Collage while the second is referred to as Combine. You will see a dedicated section for both of them at the top. PICTURE COLLAGE MAKER WITH EFFECTS MANUALIt offers two types of collages – manual and automatic. The software is so easy to use and it performs all the photo editing tasks including the ability to create photo collages. Here are 4 amazing tools that do not add any watermark to a collage. Collage Maker Apps for Windows 10 Without Watermark Why? Because watermarks are annoying, yes, but then that might not be your biggest concern and you’re probably looking for a feature that only a tool that adds watermarks has. They have been divided into two sections – without watermark and with watermark. We have handpicked 6 free collage maker apps for Windows 10. All you need to do is select pictures and the software will present a photo collage. While there are some dedicated apps, others incorporate this feature in their photo editing software. New Features in 2.0.0Added photo filters
Once you grasp the basic metaphors of digital music production, your choice of DAW will seem a little less important. The first is that despite different looks and workflows, they all essentially do the same thing- make music. There are a few important points to consider as you choose which DAW you’ll use for your music. Hot tip:New to music production? Subscribe to our newsletter and get lessons, inspiration, free plugins and more delivered to your inbox every week! There are lots of different DAWs out there, each with different strengths and weaknesses. STUDIO ONE RECORDING SOFTWARE SOFTWAREWhat is a DAW?Ī digital audio workstation (DAW) is a software program used for composing, producing, recording, mixing and editing audio and MIDI.ĭAWs facilitate mixing of multiple sound sources on a time-based grid. This guide will give you everything you need to pick the best DAW app for you. Here's the 10 best DAWs on the market right now: Whether you're just starting a song, or about to reach that final mastering step, you'll need music recording software to make your vision into a reality. The Artist version of $99.95 and a free Prime version will be along in time.A DAW or Digital Audio Workstation is the software program you use to create your music.ĭAWs have made music creation more accessible than ever before-and they’re only getting more powerful! STUDIO ONE RECORDING SOFTWARE FULL VERSIONThe full version of Studio One 6 Professional is $399.95, and the upgrade price is $149.95. PreSonus Sphere starts from $14.95 a month. I’m always disappointed not to get a new synth but overall, it’s all heading in the right direction. It’s great to see some innovation with the lyrics engine. Video is a huge feature for many professionals and brings Studio One up to scratch with many other DAWs. Space has appeared in places where there used to be famously small buttons and icons. The adjustments PreSonus has made to the overall look, combined with the decluttering of the customisation, makes it seem really fresh. The collaboration workspaces are far more integrated. It’s now easier to navigate and you have sharing options and sync options right in the main menu. The collaboration side of the cloud-based Sphere gets some work done. PreSonus Studio One 6 Vocoder PreSonus Sphere Collaboration You can inject them into the Show Page to become a useful part of your live performance setup. You can apply lyrics to dance along the pages of a score or follow MIDI tracks and audio tracks. Leaning into PreSonus’ interest in the entire music-making experience, we now find it has a comprehensive lyric system. PreSonus has also snuck in track icons for people who like a visual indication of a tracks purpose. With Studio One 6 the customisation makes the whole thing cleaner and fresh. Normally with a new update, there tend to be new things vying for attention and cluttering up the screen. Nearly everything can be shown or hidden, making for a very streamlined interface. You can now take a knife to the toolbars and slim down the amount of information you’re being bombarded with. As are the new graphical flourishes which give it a friendlier feel. The information is great and very well presented. STUDIO ONE RECORDING SOFTWARE HOW TOPreSonus has embedded the Smart Templates with interactive tutorials to show first-timers how to move forward. #LEGO HARRY POTTER YEARS 1 4 FULL#- rwx r-x r-x a regular file whose user class has full permissions and whose group and others classes have only the read and execute permissions.The following are some examples of symbolic notation:
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